1. Mark which paragraphs are predominantly descriptive; then mark which paragraphs are predominantly narrative; then mark which passages are predominantly commentarial; and then mark which passages seem to you the most emotionally charged or even biased. What case is the author making?
2. Discuss the role of these details: the dog, the puddle, the dialogue at the end.
3. What three sense details struck you most forcefully? Explain why.
4. Find two metaphors in "A Hanging." Are they decorative for simple visual appeal (many are) or do they convey and idea or meaning beyond the picture? Explain.
Choose one of the following. Write your pieces clearly and be prepared to present them.
5. a. You're editing "A Hanging" for space. Cut 50-75 words and defend your choice. Mark the edits on your copy and write your defense. Pretend you are making a case to the editor-in-chief, and this essay was your assignment to ready Orwell for publication in your magazine.
5. b. Describe a gruesome scene you witnessed: a robbery, fight, accident, a death. Get 15-20 sharp sense details and a purposeful metaphor into the writing.
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